Posts Tagged ‘id’

Dec
14/09
Interview: Andy Williams of ETID
Last Updated on Monday, 14 December 2009 09:54
Written by Alison Aird
Monday, December 14th, 2009

Interview with Andy Williams of Every Time I Die

You may have the opportunity to read my recent review of the Taste of Chaos show in London a few weeks ago. Well fortunately enough for me I was also allowed a quick interview with guitarist Andy Williams. Due to time restrictions I was only given the opportunity to ask him my research topic questions, but being the legend he is Andy gave me some of the best answers yet. Enjoy!

Alison A: How would you describe a pit at a hardcore show?

Andy W: I don’t know, it’s a way for people to get it out, for people that work all week long, go there, just get their frustrations out, people that are masochists I guess.

AA: Would you say this behaviour is distinctive of the scene?

AW: I don’t necessarily think it’s a scene thing. There’s a whole different types of trends. Philadelphia in the 90s was very violent but if you went to Canada they didn’t. I don’t think it’s a hardcore thing, I think it was based in metal and then just crossed over into hardcore. We do it a little different though I guess to hardcore.

AA: Would you say the quality of the show is proportionate to the size or intensity of the pit?

AW: Yeah, as a whole, I mean if you look out and the whole crowd’s moving its better you know? That’s how I look at it, for sure. So I would say yeah, the bigger the pit the better the show.

AA: At what point does a pit or audience become “out of control”?

AW: Never. Not with me, you’re asking the wrong person! I want to see as much shit going on as possible.

AA: You want to see some blood?

AW: Oh yeah!

AA: Would you say there are younger or older people in your audience?

AW: We’ve got a very eclectic crowd. You could definitely look out there and see some 40 year old dude moshing with some 14 year old dude, you know what I mean? So we have like, a very eclectic crowd. It’s awesome.

AA: More male or female people in your audience?

AW: Oh hardcore in just general has always been more male oriented. We like to beat our chests so… It’s the easiest way to get stuff out. I was just talking about this upstairs about metal dude. I mean all metal dudes are fucking nerds, so they come to shows and they get to bop a couple of 14 year old kids in the head and that makes them feel like they’re something. But as soon as they leave the show they’re going to go home and play World of Warcraft or whatever they do. That’s how it is with hardcore too, they’re all dorks. They go home on the internet, talk shit, you know, it gives them a pedestal to talk.

AA: If there are more females in a pit, would you say that affects the behaviour?

AW: Not with me and my friends it never did! We still just went nuts when I was a kid. But yeah, I think so, I think it definitely dictates it. It’s funny, some people are like “Oh you’ve got to be timid” but it’s like, she’s in there, that’s how we always looked at it.

AA: What would you say are the unspoken rules of being in a pit?

AW: Oh god, I don’t know. Like I said, I mean if you were talking to someone else in the band maybe, but there was one point in time, this is a no bullshit story, that website lambgoat did the 5 most violent dancers in the United States and I was number 2.

AA: That’s actually amazing.

AW: This was like at the time, like ‘98 or something.

AA: That’s sick.

AW: So it like, there were no rules. Like me and my friends in Buffalo would just straight fist fight. It was just like, not a jock thing, but like a matter of just… we just went off you know?

AA: Do you have any examples or experiences of a pit that you would like to share?

AW: Oh in fact it happened with Killswitch in the States last time they played, the city was Fort Wayne, Indiana, it was will Killswitch and Dillenger Escape Plan, this is so weird cause it’s not hardcore related at all but it’s fucking great! It was an ETID over 18s show, so we were all worried like “fuck ETID in over 18s in Fort Wayne, Indiana” – the worst city ever, and believe me if anyone from Fort Wayne’s reading this, it’s my favourite city after this show – so yeah, it’s like hick city, blah blah blah. So it’s a college town and we played a place that held like, 2300 people or something like that? It was sold out, 18 and over, every single person in there was just drunk, wasted and horny, and for some reason none of the other bands got a good reaction at all, except for us. As soon as we got out there girls were showing their boobs, it was fucking retarded, and then while we were playing people were uprooting shit out of the ground and like, crowd riding mad, and the pit was enormous. I saw a girl crowd riding and a garbage can crowd riding and the can fell and the girl fell into the garbage can, no joke. Right in front of me. It just blew me away. That was it for me. I couldn’t believe it. That was great, it was the coolest thing I’ve ever seen at a show. They came from opposite directions! That was cool.

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Dec
10/09
Taste Of Chaos Live Review: 3rd December 09, Hammersmith Apollo
Last Updated on Thursday, 10 December 2009 07:10
Written by Alison Aird
Thursday, December 10th, 2009

Taste of Chaos with Killswitch Engage, In Flames, Every Time I Die & Maylene and the Sons of Disaster: 3rd Dec 2009, Hammersmith Apollo

I am personally not a huge fan of metal. Nor am I fan of large venues, particularly the Hammersmith Apollo. I am, however, very much into the Southern hick sounds of Maylene and the Sons of Disaster, and Every Time I Die have been my favourite live and recorded band for the past 5 years. This review is going to cover these two bands as I feel they are the most relevant to the scene this site covers. I’m sure some of you will agree with me when I say Killswitch Engage are ironically great whilst being hugely samey. Meanwhile In Flames fans at the Apollo on this particular night put me into an utterly shameful “I only like hardcore” frame of mind. Call me prejudice, but long hair on dudes and studded bracelets aren’t my deal.

It’s obvious however that it’s not only me that senses this divide between the two halves of this tour. As MATSOD take to the sake it is evident that appreciation in the metal scene consists of arms folded and a monotonous nodding head. MATSOD’s fans up front try to counter act this with hoots, hollers and dancing hard. It’s not hard to get into the vibe of MATSOD’s set as well as new vocalist Schuylar Croom (of He Is Legend) pulls some moves I’d expect I’d expect to come straight from the swaying swinging sixties and seventies. Croom definitely looks the part for this band, but MATSOD’s only problem is the lack of original line up. Some of the filling members clash with Croom and guitarist Jake Duncan’s bohemian image to a point that it just doesn’t look like the all the members are playing the same gritty Southern sound. As a MATSOD fan though I enjoyed the set, but would prefer to see them in a smaller venue with a more appreciative audience.

Next up is Every Time I Die. Following the release of New Junk Aesthetic earlier this year I’ve been desperate to see some of this truely epic record performed live. And oh boy they do not disappoint. Perhaps it’s the new material, perhaps it’s the addition of new drummer Ryan Leger, maybe it’s both, but ETID seem to have a whole new lust for life in this performance. The audience they draw is a testament to their increasing popularity at the recognition of their 10 year history. Despite pulling a significantly larger audience than MATSOD, the metal heads are largely unresponsive, but all the ETID fans in the venue attempt to make up for that and the announcement of a headline show at the Borderline on December 21st sends a flurry of excitement through the venue as people start frantically texting friends that might be anywhere remotely near a computer.

As they wrap up their set with some old favourites such as “Floater” and “The New Black”, as well as the new tracks as well, I feel as though the night’s ended for me after ETID. Despite catching a few songs here and there of In Flames and Killswitch Engage (the latter of which I have seen on TOC several times before), they don’t seem to match up musically with ETID and MATSOD, though the improvement in the audience’s reception and energy is evident and impressive.

Perhaps it goes to show that booking agents are acknowledging that music fans have varying tastes and that tours consisting of similar sounding bands can end up just being a drag, but this combination of two metal and two hardcore/rock bands just doesn’t seem to fit too well. Perhaps that’s just me getting more stuck in my ways the older I get, but I feel that Taste of Chaos has lost some of the originality that created such excitement around the tour in its early years. This tour just feels like a metal show, but with fantastic support.

That said, I am psyched out of my mind for Every Time I Die’s headline date at the Borderline (now announced with support from Maylene and the Sons of Disaster). Hopefully this club show will allow Maylene to put on the live show I had hoped to see, and cement ETID’s reputation as an amazing live band into the public psyche.

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